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Refractions

from Refractions by Juan Parra Cancino

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about

In Refractions the fundamental concept is the exploration and detailed description of the musical moments where the sound actors exchange material (both physical and structural).
The manipulation of a wide physical space (real or simulated) furthers this idea, relying on the space itself as part of the ensemble, or rather, the instrument where the interaction and combination of the musical material is happening. The use of live electronics serves the purpose of being a bridge between the tape and the acoustical instrument, a bridge where one can walk, or stop and stare at the evolution of several interconnected events where the moment is infinitesimally small. Here the morphing of ideas and units is at its maximum, the music components are no longer isolated and a new musical entity is presented to the space.

credits

from Refractions, released September 9, 2005
Diego Espinosa, percussion
Aslaug Holgersen, double-bass
Keir Neuringer, alto sax
Maria Pildain, viola
Juan Parra, computer & live electronics

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Juan Parra Cancino Ghent, Belgium

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